With its proximity to the cultural hub of New York City and its quieter suburban and rural landscapes, Connecticut was fertile ground for artists and writers in the period of Modernist movements between 1913 and 1979. Many of these cultural figures are well known through biographical and critical studies. Creative Places seeks to show how place played a significant role in creative work, and how in turn the artists and writers influenced communities in Connecticut.
Gilbert Theodore ‘Gill’ Fox. Fox began his career in animation at Max Fleischer’s studio, but left due to labor unrest. He entered the comic book industry, working for a number of studios and companies, including DC Comics. Beginning in 1940, he was an editor and a cover artist for Quality Comics, with his work gracing the covers of such titles as Torchy and Plastic Man. In 1941, he wrote several weeks of continuity for the Spirit daily newspaper strip. A 1941 comic book written by Gil Fox described the bombing of Pearl Harbor in surprising detail, precisely one month before it happened. He left his editorial position at Quality in 1943 to serve in World War II, where he worked for Stars and Stripes. Once discharged from military service, Fox freelanced for Quality Comics until the early 1950s. Fox later worked as a political cartoonist for the Connecticut newspapers The Fairfield Citizen and the Connecticut Post; he was nominated for two Pulitzer Prizes. Fox lived in Redding.